- AG Ford Illustration
Client: AG Ford
Medium: Flash, XML, XHTMLAG Ford is a very talented Illustrator, using traditional media to bring life to his projects. Updating his portfolio is a simple task using using an XML data source, and the fluid layout adjusts the page to accomodate most screen resolutions.
- Dave Curd Illustration
Client: Dave Curd
Medium: Flash, XML, XHTMLDave Curd is an illustrator based in Wisconsin, and he needed a website to showcase his work. This design gives ample room to display his artwork, and is also easily updated using an XML data source to show the latest content.
- Randomtoons
Client: Kevin Blankenship
Medium: Flash, XML, XHTMLKevin Blankenship is a cartoonist based in Oklahoma, and he needed a site to display his work and to sell is newly published book. This site uses an energetic Flash navigation, and utilizes several XML data sources to make updates very simple.
- PepsiWorld Site Assets
Client: Pepsico (in conjunction with Tribal DDB)
Medium: FlashThis website was designed by the creative department of Tribal DDB, a Dallas advertising agency. I was in charge of making the eye catching animations, such as the initial build, button rollovers and various masking animations.
- Mitsubishi Lancer Screensaver
Client: Pepsico (in conjunction with Tribal DDB)
Medium: FlashI was tasked with taking this design and producing the necessary animation to convey the excitement of the Pepsi branded Mitsubishi Lancer. Creative motion design and some clever masking techniques brought the final product together.
- Dreamlab Partners Microsite
Client: Fritz Kuehn (in conjunction with Gary Parks)
Medium: FlashDreamlab Partners was formed to fill the void left by Dreamtime Imagineering Inc., a Dallas based interactive firm. Designer Gary Parks created the layout and I built the final product in Flash.
- Hazard Finder Web Comp
Client: Hazard Finder
Medium: PhotoshopHazard Finder is a California based company which allows potential home-buyers to research an area's safety rating. I used very vibrant colors and high contrast, which made the client quite pleased indeed.
- Air Force: People Like You
Client: U.S. Air Force (in conjunction with Tribal DDB)
Medium: FlashAirforce.com uses many different Flash components, and this was one of them. Tribal DDB provided the creative assets, and I developed the final product in Flash. It is a simple rollover menu displaying various jobs in the U.S. Air Force.
- DataMax Flash Intro
Client: DataMax (in conjunction with Dreamlab)
Medium: FlashThis was my first Flash intro created while working for Dreamlab. Datamax wanted a Flash piece which showcased the different aspects of their digital imaging solutions, while graphically matching the CD-ROM's content.
- Data Return Threat Scan Interface
Client: Data Return (in conjunction with Dreamlab)
Medium: PhotoshopThis interface is for an online application which would test the end user's system security online. I used a serious, rather intense color palette and harsh angles to give this project a "TRON-esque" feel.
- Data Return Mercury Interface
Client: Data Return (in conjunction with Dreamlab)
Medium: PhotoshopData Return wanted an interface for their Mercury application. This is what I made for them, and I think it looks pretty good. Of course they didn't use it. I'm not exactly sure what the application is supposed to do
- Dreamlab Lucid Interface
Client: Dreamlab
Medium: PhotoshopDreamlab asked me to create an exciting background for their portfolio application, which we nicknamed Lucid. Using a very warm, saturated palette and 3D images, the end result was quite satisfactory.
- Inanna's Tears Animation
Client: Rob Vollmar
Medium: FlashInanna's Tears is a graphic novel which tells the story of an ancient civilization. Writer Rob Vollmar asked for a Flash "movie trailer" as a bit of online advertising. Animated panels and parallax scrolling made for a compelling piece.
- Bluesman Animation
Client: Rob Vollmar
Medium: FlashRob Vollmar again contacted me to complete a project similar to his "Inanna's Tears" piece. Being black and white, I gave the project the look of an antique silent film, while using similar animation styles to his previous job, Inanna's Tears.